In a performance at the 2009 Havana Biennial, Tania Bruguera presented Tatlin’s Whisper #6 as a temporary platform for the free speech normally denied in Cuba. Audience members were invited to step forward and speak uncensored for one minute, before being escorted away. The work has become one of the defining performances of the 21st century—an enduring meditation on free expression, civic participation, and the fragile conditions under which speech becomes possible.

In 2015, a version of the performance was staged in Times Square in partnership with Creative Time, four months after the artist was arrested for attempting to enact the performance in Havana’s Plaza de la Revolution in December 2014. Now in 2026, at a moment of renewed urgency around democracy, dissent, and the rights of assembly and expression, the work returns to Times Square in partnership with Fall of Freedom.

The performance is conceived around a simple setup: a microphone, a raised platform, and an open invitation to the public to step forward, one by one, to speak before the audience and passersby. White doves will be briefly placed on the speakers’ shoulders. Each participant’s contribution will be constrained by time, underscoring how liberty is so often granted conditionally, temporarily, or at risk.

Tatlin’s Whisper #6 identifies a common thread across autocratic and dictatorial regimes: the systematic suppression of free speech, often legitimized through states of exception, competing political imperatives, or the insistence that dissent be suspended in the name of “broader achievements.” This dynamic normalizes the premise that silence is a necessary condition for stability, progress, or the collective good, effectively enforcing a form of civic coercion.

“Freedom of expression is taken each time silence feels safer than speech, each time convenience outweighs conviction, each time we mistake the absence of punishment for the presence of freedom.” — Tania Bruguera