New York, NY 10036
Start:
Mar 2, 2010
End:
Mar 2, 2010
On View 24/7
David Ellis
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A Times Square sculpture and intervention of physically animated and rhythmic New York City trash.David Ellis is an artist born into a family immersed in music. In his youth Ellis had little patience with piano lessons or reading sheet music. Instead he absorbed everything on The Super Mix, a Saturday night radio program broadcast from the nearby Fort Bragg military base. Each week a new cassette tape of emerging New York hip-hop found its way into the life of a child growing up in a log house in North Carolina. By the time Grandmaster Flash and the Furious 5 released The Message, Ellis was writing rhymes and banging out beats with his friends on the desks at school. Things have since become much louder. Ellis' work continues to interpret music and sound. His paintings are often recorded in a form of digital time-lapse animation Ellis calls motion painting. Like jazz, these works provide Ellis with an opportunity to combine ideas with collaborators or work solo within a form that promotes improvisation and spontaneity. For a 2010 commission the artist painted a truck from sunup to sundown over five consecutive days. Ellis often staged events when exhibiting his motion paintings, inviting musicians, performers, and sound artists to interpret the work live. His motion painting, Paint on Trucks in a World in Need of Love was also exhibited at MoMA.
A Times Square sculpture and intervention of physically animated and rhythmic New York City trash.David Ellis is an artist born into a family immersed in music. In his youth Ellis had little patience with piano lessons or reading sheet music. Instead he absorbed everything on The Super Mix, a Saturday night radio program broadcast from the nearby Fort Bragg military base. Each week a new cassette tape of emerging New York hip-hop found its way into the life of a child growing up in a log house in North Carolina. By the time Grandmaster Flash and the Furious 5 released The Message, Ellis was writing rhymes and banging out beats with his friends on the desks at school. Things have since become much louder. Ellis' work continues to interpret music and sound. His paintings are often recorded in a form of digital time-lapse animation Ellis calls motion painting. Like jazz, these works provide Ellis with an opportunity to combine ideas with collaborators or work solo within a form that promotes improvisation and spontaneity. For a 2010 commission the artist painted a truck from sunup to sundown over five consecutive days. Ellis often staged events when exhibiting his motion paintings, inviting musicians, performers, and sound artists to interpret the work live. His motion painting, Paint on Trucks in a World in Need of Love was also exhibited at MoMA.
Support for The Path: A Meditation of Lines is provided in part by Morgan Stanley, the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and additional in-kind support from the Times Square Edition Hotel.
New York, NY 10036